My ‘mothers and daughters’ method is a variation on painting in series. It works through the zoom and crop of photos taken on my phone. First comes the mother painting, out of my lived and felt experience taken into the studio.
Speech Flowers. acrylic, collage, print transfer on canvas, 100 x 100cm. Lynne Cameron, 2017.
Then comes the looking. Searching the finished work for sections that themselves make good compositions - this can be done by looking through a small square cut out of a piece of card, and with the crop facility on phone images. If a part of the mother painting is really striking, i crop a photo to get just that section. This one came from the top right...
This section is the starting point for the daughter painting. I love the technical challenge of making the new painting - I use the same size canvas so the painting is four or five times it’s original size. As it’s painted, it shifts away from the starting point and takes on a life of its own until it becomes a painting in its own right. Undoubtedly related, but independently existing, with a character of its own.
Speech Fragment. acrylic, collage, print transfer on canvas, 100 x 100cm. Lynne Cameron, 2017.