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London
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Lynne Cameron
Weighting memory
These works are the culmination of the long process of artmaking described in our conversation here. The hand-pressing on to shiny card was complemented by blotting out some of the paint before it dried completely with mulberry paper to create almost hollow shapes.
The diptychs came about when a wet print was pressed on to a blank piece of card to create a ‘ghost’ print, and the two prints placed alongside each other. I was intrigued by what might be happening the space between them - between memory and the ghost.